Canada’s Instant Cult Hit Comes for AmericaI talked to Matt Johnson and Jay McCarrol about TIFF darling ‘Nirvanna the Band the Show the Movie’Due respect to Seth Rogen, there is nothing more Canadian in pop culture at the moment than Neon’s Nirvanna the Band the Show the Movie. But even Americans will be able to understand the jokes in this time-travel comedy (and instant cult classic, in my opinion) about two friends who live in Toronto and want their band to play a show at the local venue The Rivoli — at least, according to star, co-writer, and director Matt Johnson. “Both America and Canada have the same parents, but we moved out much later, so to speak,” Johnson told me this week on The Rushfield Lunch. “So we’re still very connected with that slightly more straight-faced dry British comedy — am I joking, am I not joking? But also, a lot of Canadians end up having Canadian humor because we’re aping American culture. We’re stealing from you much more than you are from us.” When I saw Nirvanna the Band the Show the Movie at the opening night of last year’s Toronto International Film Festival Midnight Madness section, it was one of the most unforgettable theatrical experiences of my life. Based on a web series with a fanatical cult following, the film is Borat-like in its blend of reality and scripted elements and contains enough genuine shenanigans to get the crew locked up for a while — including hijinks atop the Toronto landmark, the CN Tower. But beyond being hilarious, Johnson and star and co-writer Jay McCarrol’s passion project also doubles as a take on the arduous task of being a creative person. “It’s the story of somebody who’s got a crazy idea and is trying to convince his friends to do it. And then they go and fail together, which I think any filmmaker will tell you is actually what you do when you make a movie,” Johnson said. “I mean, find me a filmmaker that’s truly happy with something he’s finished.” At the end of our chat, I also brought them into a long-running Toronto-based disagreement that’s been hanging over my life since TIFF 2024 — the popcorn incident. (Read the details here.) I was very pleased with where they came down — although a friend says my admission that “I’m afraid the popcorn was buttered” will go on my tombstone. Watch our conversation above for more context on that and for everything else about this great movie. Seek out Nirvanna the Band the Show the Movie. You won’t be disappointed. Got a tip or story pitch? Email tips@theankler.com ICYMI from The AnklerThe Wakeup Amazon film spree grows; Roku turnaround gains Bari Weiss and the Great TV News Pay Cut Claire Atkinson reports on Tony Dokoupil’s paycheck, Gayle King’s looming haircut and the shrinking economics of today’s on-air talent Universal’s Michael Moses: My Modern Movie Playbook The legendary chief marketing officer talks to Richard Rushfield about selling urgency in the streaming age — and what we get wrong about Gen Z Searching the Epstein Files: Hollywood’s New Test of Fame (and Nerves) Ctrl+F dread spreads as everyone who was anyone between 2008-2018 is name-dropped in a messy soup of the guilty, the adjacent and the random Fox’s Michael Thorn: A Faster Path to Yes — ‘No Layers,’ No Pilots The network president tells Lesley Goldberg about his promise to top talent (Denis Leary, Patrick Dempsey) and a platform-agnostic strategy How Hollywood Choked Sora 2’s Rise The numbers don’t lie. And it turns out this industry still knows how to close ranks, writes Erik Barmack The Trump Dossiers: Hollywood Cowards Most of our industry leaders have cozied up to the president. Let’s not let them forget, writes Richard Coppola & Lucas Started a Studio in the 1970s. Disaster Followed Warners backed two promising film school grads. They fought, fell into debt and had nowhere to go — until a certain project came calling ‘Middle-Power’ Execs are Having a Moment: ‘Don’t Need a Studio and a Water Tower’ Elaine Low hears from Bell Media’s Sean Cohan, Lionsgate’s Kevin Beggs and AMC Networks’ Kristin Dolan on TV’s new market The Only Day Every Oscar Nominee Wins Katey Rich’s Nominees Luncheon dispatches, and exclusive photos and video, from inside the Beverly Hilton 🎧 The Epstein Files Hit Hollywood 🎧 The Death of Sex on Screen Was Greatly Exaggerated MORE FROM ANKLER MEDIANew from Natalie Jarvey’s creator economy newsletter: Creators Move to Unionize. Hollywood Wants to Help. Solidarity Not Guaranteed Andy Lewis’ latest IP picks: A Devil of a Knives Out Mystery; a Gossip Girl Thriller with a Conscience |
Canada’s Instant Cult Hit Comes for America
February 13, 2026
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